jazz singer & cautionary tale, on the island of misfit toys
"a vocally lustrous earful” - The Philadelphia Inquirer
"elaborately ornamental, with a martini dry wit" - CafeteriaRusticana.com
“in an era that’s forgotten the fun of the double-entendre, she’s subtle and sexy and musical all at one time.”
"note perfect" … "a charismatic presence" - The Fort Lauderdale Sun-Sentinel
"a rich mezzo that dazzled the ears" - The Syracuse Post-Standard
"musically superb" - BistroAwards.com
"grandly libidinous - theatrical poise, good looks, luxurious vocalism" - Opera News
“enormous fun…sparkling arrangements” - American Popular Song Society
Jazz, standards, torch songs and random tunes people ask for: Kaye is here for it. Appearances: NYC's Tomi Jazz, The Cutting Room, The Underground, The West End Lounge, Somethin' Jazz, Stage72, The Triad, Don't Tell Mama, Café Noctambulo, 53Above Broadway, Bar Thalia at Symphony Space.
Former life, classical singer. Leading roles: New York City Opera, Carnegie Hall, Tokyo Symphony, Florida Grand, Palm Beach Opera, Opera Orchestra New York, Virginia Opera, St. Patrick’s Cathedral and oh so many others. Roles: Ran the gamut from Carmen (Carmen), Madama Butterfly (Suzuki) & Mahler’s Symphony Nr. 2 (Alto Soloist), to Oklahoma! (Ado Annie), Noel Coward's Bitter Sweet (Manon) and Gilbert & Sullivan's Utopia, Limited (that gal who's name I forget who was funny and had a nice duet).
Political junkie, avocational writer, cautionary tale, nights’n’weekends Stig. Kansas Native. Home is The Island of Misfit Toys, with tenor sam kinsey & naughty cat, Beatrix cattenborough.